During a creatively barren week, the Void+1 administration was doing the equivalent of “doom-scrolling” applied to music-hunting: endlessly clicking play on random tracks on numerous shops in hope to find a gem, just to experience nothing but the exact same mundane sounds randomly arranged in a sequence. After what felt like an eternity, one of those clicks led to Cam Lasky, and fascination ignited.
Cam Lasky, a person shrouded in more mystery than your favorite super-hero character, is crafting genre-bending music suitable for both home-listening and the club. A handful of scattered pieces of information about his origin, such as his residence in Kyoto, and a never-ending back catalogue of his music, is all that can be found on the internet. This back catalogue is all you will ever need though, because the only thing more fascinating than the lack of information about such a formidable producer is the intimidating amount of tracks under his belt. We are talking about hundreds of tracks, the quality of which seems to exponentially rise with each release, to the point where we can’t help but ask ourselves, where will the limit of it be?
He releases EPs seemingly weekly, almost exclusively for his own imprint, KWAIOTO, with the concept of scoring music for his favorite literary and visual works, usually from sci-fi and horror genres.
We are happy to have managed to secure one of his releases on Void+1, for which Cam has chosen to produce four tracks inspired by “Two At The End” by William Nkemdirim.

Artist: Cam Lasky
Release-Name: Two At The End
Catalogue: V+1011D
Release-Date: 07.06.2024.
Series: Data
Format: Digital
Track-List:

01 Ark
02 Abyss
03 Clone
04 Synaesthesia

Written and produced by Cam Lasky
Mastered by Nikola Grebovic
Graphic design by VOID+1
Distributed by Triple Vision
2024 Void+1 Recordings